During the winter, with no heating in my studio, I often find myself confined to my gadgets. As a result, I’ve been focusing on digital illustrations that also serve as preliminary sketches for future canvas paintings—once the weather warms up and I can return to the studio. In this series, I explore the Kolo dance. Kolo is a term used for a traditional circular folk dance from the Balkans, with each region developing its own distinctive choreography and lyrics. Some Kolos have gained recognition beyond their local and national boundaries. Inspired by my personal connection to these dances, I’ve created my own interpretations of several of my all-time favourites.
Kozaračko kolo is a traditional dance originating from the Kozara region in the northwest of Bosnia. While it has roots in Serbian folklore, the dance has become a symbol of unity and resilience for all the peoples of former Yugoslavia after World War II. It was widely danced by partisans and freedom fighters across the region during and after the war, particularly at major events and celebrations.
Though the dance itself is relatively simple, it is full of energy. The participants hold hands in an intertwining manner, creating two circles within one, and it is always performed in a counterclockwise direction. The dance is accompanied by singing, adding to the sense of collective spirit and cultural pride.
Uzicko kolo (or Uzice dance) originates from the city of Užice in western Serbia. Known for its energetic and fast-paced movements, this lively dance is often the highlight of festive gatherings. With numerous regional variations, the dance is especially popular at wedding parties and celebratory events across the Balkans. It is characterized by rapid footwork, intricate steps, and a dynamic tempo that requires coordination and stamina from its dancers.
Gluvo Glamocko Kolo is a variation of the so-called "deaf dances" from the Balkans. According to tradition, during Ottoman rule, musical instruments and singing were prohibited at public gatherings. As a result, a unique form of dance emerged, where the rhythm was created by stomping feet and the sound of dukat (jewelry) being struck against legs, jackets, and heads. The variation from Glamoč, a town in the southwestern part of Bosnia, is particularly powerful and rhythmic—one of my all-time favorites.
Originally, Glamocko Kolo was a courting dance, where young men and women would dance to socialize and flirt. In addition to this lively tradition, Glamoc is also renowned for producing some of the largest and highest quality potatoes in the Balkans.